Carver Skateboards x Tyler Riddler 35.5″ Surfskate Complete with CX.4 Trucks
Tyler Hatzikian’s progressive longboard design is a bridge between smooth longboard trimming and responsive carving.
Description
Tyler Hatzikian’s progressive longboard design is a bridge between smooth longboard trimming and responsive carving, captured here with a mid-length wheelbase and bump wing template.
This board is paired with Carver CX.4 surfskate trucks.
Deck Info
9 7/8” wide
6 1/2″ tail
3 1/2″ nose
20 3/4″ wheelbase
The Setup
Surfskate deck: Carver x Tyler Riddler
Truck model: Carver CX.4 (Raw) ali C7 (Raw)
Surfskate wheels: Roundhouse Mag wheels 70mm 78a
Additional information
Specification: Carver Skateboards x Tyler Riddler 35.5″ Surfskate Complete with CX.4 Trucks
| Brand | |
|---|---|
| Deck shape | Directional |
| Truck mounting | Top mount |
| Deck length | 35.5" / 90.17 cm |
| Deck width | 25 cm |
| Wheelbase | 52.7 cm |
| Kicktail | Yes |
| Truck model | Carver CX.4 raw |
| Best for | Carving, Cruising, Surfskate |
Vendor
Carver Skateboards
HISTORY OF CARVER SKATEBOARDS
It all started one quiet summer in Venice, California in 1995. Greg Falk and Neil Carver had been surfing all winter, and were pumped to surf the warmer waters of the Breakwater during the long days of summer, but it was as flat as a puddle. Not even a longboard ripple to justify getting wet. So, like the many generations before them, they took to the streets with skateboards in search of hills to surf. The historic neighborhoods of Venice and Santa Monica are a veritable skatepark of steep alleys and banks, and as they dropped in on those asphalt waves they were struck with how unlike surfing it was. Sure, they sort of got a surf-like experience, as much as standing on a board and banking turns can provide, but they really missed the snap and drive that a surfboard has, that crisp pivot you get at the tail that lets you really pump a wave for speed. Their skateboards felt stiff by comparison. They tried loosening the trucks even more but all they got was speed wobble, and the steepest hills became virtually unskateable. And even with those loose trucks, the dynamic of the turn was still all rail-to-rail, symmetrical nose-to-tail. Picking up the nose to tic-tac at high speed down a steep incline was sketchy, so they were left only imagining the performance they wanted, unable to get that feel with any skateboard on the market.
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